A Joint Ukrainian-Swiss Research Project, supported by the Swiss National Science Foundation

The project explores relationships between modern technologies, their emergence and use, and social and cultural change in Ukraine under Soviet rule (1922-1991). During this period, all production facilities were nationalized, technologies and their development were subject to centralized planning, and the Soviet state defined pathways for the distribution of goods. This system, radically distinct from market economies, both provided the foundations for specific Soviet designs of technological systems and encompassed, and potentially obscured, a much more complex reality, involving conflicting visions of technological development held by various lobby groups and arising from divergent points of view. The ideological frontier between "East" and "West" did not prevent the frequent transfer of Western technological innovations and solutions nor their implementation; the result was an often striking uniformity in global technological developments. In the meantime, under the radar of official ideology, citizens of the Soviet Union, including the Ukrainian Soviet Republic, practiced their own culture of the use, modification, and repair of technologies, which both helped to fill the gaps in supply of state-produced goods and, at times, gave rise to discontent and resistance.

The project rests on the idea that technologies are not "neutral" entities, but rather socially constructed. Technologies come into being through sets of complex social activities which entail and entangle political decisions, public debate, individual motivations and values, and institutions of knowledge production. Over time, technological systems stabilize, and the social decisions embedded in their design re-iterate and gain the appearance of infrastructure, characterized by perceived objectivity and neutrality. Our planned exploration of human-technology relationships through the lens of the unique historical experience of Soviet Ukraine will draw attention to this sociogenesis of technologies and, in so doing, contribute substantively to research on the Soviet Union and to global science and technology studies.

In several subprojects conducted by individual researchers, our project will study a variety of small- and large-scale technologies, including photographic cameras and home laboratories; tape recorders and sound systems in home settings; bicycles, motorcycles, cars, and railroads; and biomedical technologies in healthcare facilities. Our analysis will consider how the use of modern technologies affected social and cultural processes throughout Ukraine’s Soviet period. Three key approaches will undergird the project’s work: First, each of the subprojects examines state policies alongside the use of technologies in everyday life, enabling them to thoroughly explore social and cultural transformations across societal macro, meso, and micro levels. Second, the project’s researchers will place local cultures of technology use in transnational and global contexts, encompassing processes of technology transfer between "East" and "West". Third, they will take account of both the formal and informal production of knowledge and illuminate continuities and discontinuities in expertise through political shifts and across Ukrainian regions.

The metaphor of "testing" (випробування in Ukrainian) we use in the project’s title may be understood in several ways, depending on the level of analysis applied to it. At a macro level, the Soviet Union was a large-scale experiment in building a new society, an experiment which led, in particular, to a very distinct form of the production, distribution, and use of technologies; thus the Soviet Union was a long-term experiment (test) with technologies and their social applications. At a meso level, the Soviet experiment challenged (tested) various different groups of Ukrainian citizens during specific phases of Soviet Ukraine’s history. The incorporation of Ukrainian territories into Soviet rule implied profound changes in citizens’ day-to-day practices; they found themselves required to engage with new goods, technologies, and technological infrastructure, which at times offered new opportunities, but at times had a great cost in effort and suffering. At a micro level, there is the matter of Soviet-produced goods, which, especially in the USSR’s final decades, were known to have technical flaws due to insufficient testing at production sites. Consumers therefore had to test these goods after purchase and modify their parts to achieve smooth functioning. In other words, the testing of Soviet technologies was a duty imposed on consumers essentially to cover up design flaws.


Team and Individual Contributions

Prof. Dr. Gennadii Kazakevych, Taras Shevchenko Kyiv National University of Ukraine
"Portraying Kyiv with the ‘Kiev’: The Social Impact of the Production of Photographic Equipment in Twentieth-Century Ukraine*

The subproject to be conducted by Gennadii Kazakevych will explore the mass production of photographic equipment in Soviet Ukraine and its effects on Ukrainian society. The acquisition of production lines relocated from Germany after the Second World War enabled the manufacturing of Kiev photographic cameras and other equipment at Kyiv’s Arsenal plant, an example of the transfer, adoption, and adaptation of Western technologies into and in the USSR. The mass production of photographic equipment provided economic opportunities for professionals and led to the creation of various visual documents of which Ukrainians subsequently made use in their everyday lives, in politics and ideology. Notwithstanding the increasing obsolescence of the imported technologies between the 1960s and the 1980s due to the USSR’s political isolation, a lack of competition, and the degradation of quality control systems, the widespread use of cameras and home photographic laboratories significantly changed everyday life in Ukraine, contributing to the emergence of home visual archives that allowed families to express their identities and pass their heritage down generations. Photography was a popular hobby that facilitated the sharing of technical knowledge outside state control via numerous photography clubs and associations, whose aim to encourage creativity is evident in the Kharkiv school of photography, an exemplar of the way in which creative experimentation often ran counter to the visual canons of Soviet art and thus enabled people to transcend the bounds of official ideology.


Prof. Dr. Rostyslav Konta, Taras Shevchenko University Kyiv
"Music Out of Control: Creating Personal Acoustic Environments in Ukraine (1950s-1980s)"

Rostyslav Konta’s contribution to the project will focus on sound recording and reproduction technologies and their role in shaping acoustic environments in the day-to-day lives of Ukrainians. The advanced audio recording technologies that the USSR adopted in the mid-twentieth century were intended primarily to serve official mass culture, but gradually transformed everyday life in a way that diverged from the assumptions of Soviet ideologues. The spread of the Dnepr, Mayak, and Vesna brands of tape recorder, manufactured in Ukraine, throughout the population enabled people to engage in new experiences of sound, while household sound recording technology rapidly gave rise to the phenomenon of collections of home recordings including music by Western artists and representatives of local countercultures. These recordings allowed people to establish a sphere separate, to a degree, from mass and ideology-driven cultures; the availability of a personal acoustic environment provided a choice between the collective and personal spaces. In this way, the collection and sharing of music recordings, alongside the technical possibilities offered by this equipment for the formation of amateur music groups and the distribution of their work among listeners, gave rise to entirely new social practices and networks of communication that had a destabilizing impact on the totalitarian system. A further subversive aspect of home recording technologies stemming from their massive scale and ready availability was their contribution to the evolution of alternative channels for the dissemination of information.


Prof. Dr. F. Benjamin Schenk, University of Basel
"The Backbone of Ukrainian Territoriality? The Railway System and Railway Mobility in the Twentieth Century"

This subproject examines the role of the railways as a modern mode of transport in the spatial integration of twentieth-century Ukraine, with an emphasis on the period of the Ukrainian Soviet Socialist Republic (1922-1991), whose territory changed significantly during and after the Second World War as the country expanded to the west and south. The subproject will seek to answer a number of questions as follows: How did the railways contribute to the territorial integration of Western Ukraine (1939), North and South Bessarabia (1940), Transcarpathia (1945), and Crimea (1954)? What role did transport planners assign to the railway network in the territorial integration of the Ukrainian Soviet Republic? What problems arose during the process of integrating the new territories into the Ukrainian railway network? How did maps, school history books, and travel guides for domestic tourists represent Ukraine as an expanded area of integrated transportation links? How did railway travelers perceive the new Ukrainian territories, and what factors contributed to the spatial integration of Ukraine on travelers’ mental maps?


Dr. Olha Martynyuk, University of Basel
"Test-Driving Socialism: Participant Experiences of Stalinist Road Rallies"

The aim of Olha Martynyuk’s subproject is to deconstruct the culture of road rallies in the early Soviet Union via the examination of its various participants’ experiences and motivations. This research will attempt to explain the nexus between technologies, the production of space, and totalitarian ideology in the Soviet context. Road rallies were highly ideologized events, organized by state officials, drivers and mechanics, journalists, photographers, film-makers, and welcoming citizens across cities of the Soviet republics. The ideological construction of the rallies presented them as unified efforts for the purpose of combating roadlessness in the Soviet sphere, creating a unified Soviet space, and preparing for a future war. A closer study of their practical conduction, however, uncovers conflicting visions of the associated technologies among their participants. This research will take a particular interest in the experiences of drivers and mechanics, who, bearing ultimate responsibility for the races’ success, implemented creative solutions "on the go" and exhausted their physical resources to keep up with the schedules set. Inspired by Western technologies, mechanics experimented with the design of their vehicles to suit the realities of the Soviet Union. Although many solutions they implemented were copied from technologies originating in the West, the conditions imposed by the local economy, the natural landscape, and social traditions engendered a unique culture of automobile use. This subproject will be the first in-depth exploration of the use of road rallies to test-drive automobiles and motorcycles, and to test bicycles, as a distinctly Soviet phenomenon.


Dr. Iryna Adamska, Taras Shevchenko Kyiv National University of Ukraine
"Creating a New Soviet Society: The Healthcare System, Medical Technology and Propaganda in 1920s Ukraine"

The Bolsheviks began creating a public healthcare system in 1919 with the aim of preventing epidemic diseases, particularly among the most disadvantaged groups of the population. To establish a network of medical institutions, Soviet authorities utilized any suitable buildings and confiscated all available medical equipment. The significant shortage of medicines and medical supplies and equipment prompted the incorporation of traditional folk medicine methods and means, such as herbal therapies and plant-based bandages, into official medical practice. Over time, the Soviet authorities began importing particular medicines and medical equipment and established manufacturing facilities for their production. Iryna Adamska’s recent work has paid specific attention to the propaganda campaign conducted by the Bolsheviks with the aim of changing the Ukrainian population's attitudes toward medical institutions and doctors, in the context of the more general endeavor of the Soviet authorities to "re-educate" people, creating a "New Soviet Man" and a "new Soviet society," via means and media such as posters, photographs, cinema, radio, printed materials, and exhibitions. Iryna Adamska plans, in her subproject, to further investigate the Soviet authorities’ use of mass communication technologies to advance the development of the healthcare system in Ukraine and influence the population's consciousness.


Illia Levchenko, doctoral student at Taras Shevchenko Kyiv National University of Ukraine
"The Near Other: The Soviet Modernization of Western Ukraine and the Dynamics of Identities"

Illia Levchenko’s work traces the effects of technology on perceptions of nature and landscapes in Soviet Ukraine and considers how these perceptions influenced, in turn, the identities of the local population. After the incorporation of western regions of Ukraine into the Ukrainian SSR, changes in railroad routes and Soviet modernizations to these regions, involving the construction and visual design of rail stations as unique spaces of interaction and encounter, the development of new modes of transportation and communication (primarily railways), and electrification, effected irreversible changes to the region’s sociocultural dynamics. The emergence of resort destinations and the preservation of cultural centers helped trigger mechanisms of self-colonization and commodified the identities that had previously been within the population’s control. Photography had a significant role in these processes, with constructions of Western Ukraine as "exotic" driven in part by the Carpathian landscapes created by professional photographers and ethnographically staged portraits of Hutsuls featuring on souvenir postcards and albums. The gradual spread of similar practices to amateur photography undertaken by the region's inhabitants manifests in the vivid example of the recently discovered archive of photographs taken by the Hutsul artist Paraska Plytka-Horytsvit, which has yet to receive significant scholarly attention. The subproject’s overarching aim will be to promote our understanding of the specific factors underlying and characterizing Soviet colonial strategy for this region through exploring the circumstances and consequences of modernization endeavors; its findings promise prospects for resolving social tensions and potential instances of cultural conflict in today’s Ukraine.

 

 

Illustration Project Kazakevych

Photojournalists with "Kyiv" cameras during the celebration of the anniversary of the "October Revolution," 1950s. - Source: Central State Audiovisual and Electronic Archive of Ukraine

 

 

 

 

 

 

 

Illustration Project Prof. Dr. Rostyslav Konta

Source: Central State Audiovisual and Electronic Archive of Ukraine

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Illustration Project Martynyuk

Sevastopol–Moscow Rally, 1930 - Source: Central State Audiovisual and Electronic Archive of Ukraine

 

 

 

 

 

 

 

 

Illustration Project Adamska

Source: "The Way to Health" Journal ("Shliakh do zdorovja"). 1929. № 17.

 

 

 

 

 

 

 

Illustration Project Levchenko

The non-functional aqueduct in Vorokhta (Zakarpattia region). - Photo credit: Illia Levchenko