Publications

Rizzo, L. (2020) «Seeing through Whiteness: Late 1930s Settler Visualities in Namibia Under South African Rule», in Thomas, J. A. und Eley, G. (Hrsg.) Visualising Fascism. The Twentieth-Century Rise od the global right. Durham: Duke University Press, S. 134-159. Verfügbar unter: https://read.dukeupress.edu/books/book/2681/chapter/1959241/Seeing-through-WhitenessLate-1930s-Settler.   edoc
Rizzo, L. (2020) «Curating images, performing narratives. Women and photography in the Usakos old location», in Rizzo, L., Newbury, D., und Thomas, K. (Hrsg.) Women & Photography in Africa. Creative Practices and Feminist Challenges. London: Routledge, S. 79-100.   
Rizzo, L., Newbury, D. und Thomas, K. (2020) «New Lines of Sight: Perspectives on Women and Photography in Africa», in Rizzo, L., Newbury, D., und Thomas, K. (Hrsg.) Women & Photography in Africa. Creative Practices and Feminist Challenges. London: Routledge, S. 18-44.   
Newbury, D., Rizzo, L. und Thomas, K. (Hrsg.) (2020) Women & Photography in Africa. Creative Practices and Feminist CHallenges. London: Routledge.   
Rizzo, L. (2020) Photography & History in Colonial Southern Africa. London: Routledge.   
Rizzo, L. (2019) Photography & History in Colonial Southern Africa. Johannesburg: WITS University Press.   
Rizzo, L. (2016) «Policing the image: the Breakwater prison albums, Cape Town, in the late nineteenth and early twentieth centuries», Social history. Routledge, Taylor & Francis Group, 41(3), S. 285-303. doi: 10.1080/03071022.2016.1180901.   edoc
Rizzo, L. (2016) «The African Photographic Archive: Research and Curatorial Strategies, Edited by Christopher Morton and Darren Newbury. Bloomsbury Academic, London, 2015», History of Photography. Taylor & Francis, 40(1), S. 96-98. doi: 10.1080/03087298.2015.1131410.   edoc
Rizzo, L. und Schneider, J. (Hrsg.) (2016) Fotografie in Afrika. Kromsdorf (D): Jonas Verlag (Fotogeschichte. Beiträge zur Geschichte und Ästhetik der Fotografie, 36). Verfügbar unter: http://www.fotogeschichte.info/index.php?id=802&L=11x150_c.gif50x15.   edoc
Henrichsen, D., Miescher, G., Rassool, C. und Rizzo, L. (2015) «Rethinking Empire in Southern Africa», Journal of Southern African Studies. Routledge, 41(3), S. 431-435. doi: 10.1080/03057070.2015.1037138.   edoc
Henrichsen, D., Lowry, D., Miescher, G., Rassool, C. und Rizzo, L. (Hrsg.) (2015) South African Empire. Abington: Taylor & Francis (Journal of Southern African Studies. Special Issue , 41). Verfügbar unter: http://www.tandfonline.com/toc/cjss20/41/3.   edoc
Grendon, P., Miescher, G., Rizzo, L. und Smith, T. (2015) Usakos : photographs beyond ruins : the old location albums, 1920s-1960s. Basel: Basler Afrika Bibliographien.   edoc
Rizzo, L., Grendon, P., Miescher, G. und Smith, T. (2015) «Photographs beyond Ruins. The Usakos Old Location Albums, 1920s to 1960s», in Rizzo, L., Grendon, P., Miescher, G., und Smith, T. (Hrsg.) Usakos. Photographs beyond Ruins. The Old Location Albums, 1920s to 1960s. Basel: Basler Afrika Bibliographien, S. 7-25. Verfügbar unter: https://baslerafrika.ch/product/usakos-photographs-beyond-ruins-the-old-location-albums-1920s-1960s/.   
Rizzo, L. (2014) «Shades of Empire. Zur Geschichte von Fotografie und Überwachung im kolonialen Südlichen Afrika», Fotogeschichte. Jonas, 34(133). Verfügbar unter: http://www.fotogeschichte.info/bisher-erschienen/hefte-ab-126/133/rizzo-forschung-shades-of-empire-fg-133/#c1434.   edoc
Rizzo, L. (2014) «Visual Genders - Identification photographs, respectability and personhood in colonial Southern Africa in the 1920s and 1930s», Gender & History. Wiley, 26(3), S. 688-708. doi: 10.1111/1468-0424.12092.   
Rizzo, L. (2014) «Visual Impersonation. Population registration, reference books, and identification in the Eastern Cape, 1950s-1960s», History in Africa. Cambridge University Press, 41(3), S. 221-248. doi: 10.1017/hia.2014.2.   
Rizzo, L. (2013) «Shades of Empire - Police Photography in German South-West Africa», Visual anthropology. Routledge, 26(4), S. 328-354. doi: 10.1080/08949468.2013.804701.   edoc
Rizzo, L. (2013) «Visual Aperture - Bureaucratic Systems of Identification, Photography and Personhood in Colonial Southern Africa», History of Photography. Routledge, 37(3), S. 263-282. doi: 10.1080/03087298.2013.777548.   edoc
Rizzo, L. (2013) «Between the Book and the Lamp - Interiors of Bureaucracy and the Materiality of Colonial Power», African Historical Review. Routledge, 45(2), S. 31-51. doi: 10.1080/17532523.2013.857091.   edoc
Rizzo, L. (2012) Gender and Colonialism. A History of Kaoko in north-western Namibia, 1870s-1950s. Basel: Basler Afrika Bibliographien (Basel Namibia studies series, 14).   edoc
Rizzo, L., Silvester, J. und Miescher, G. (Hrsg.) (2009) Posters in Action. Visuality in the Making of an African Nation. Basel: Basler Afrika Bibliographien.   
Rizzo, L. (2007) «The Elephant Shooting - Colonial Law and Indirect Rule in Kaoko, Northwestern Namibia, in the 1920s and 1930s», Journal of African history. Cambridge University Press, 48(2), S. 245-266. Verfügbar unter: https://www.cambridge.org/core/journals/journal-of-african-history/article/elephant-shooting-colonial-law-and-indirect-rule-in-kaoko-northwestern-namibia-in-the-1920s-and-1930s/161F8F2A5D9ED22FE922ECC4C86DBC58.   edoc
Rizzo, L. (2005) «A Glance into the Camera: Gendered Visions of Historical Photographs in Kaoko (North‐Western Namibia)», Gender & History. Wiley, 17(3), S. 682-713. Verfügbar unter: https://onlinelibrary.wiley.com/doi/abs/10.1111/j.0953-5233.2005.00401.x.   edoc
Rizzo, L. (2000) «N.J. van Warmelo: Anthropology and the Making of a Reserve», in Miescher, G. und Henrichsen, D. (Hrsg.) New Notes on Kaoko. The Northern Kunene Region (Namibia) in Texts and Photographs. Basel: Basler Afrika Bibliographien, S. 189-206.   edoc